Baby Review: An Astute Portrait of LGBTQ+ Brazilian Hustlers Adrift in the System

Capturing the urban restlessness and dynamic spirit of São Paulo, filmmaker Caetano's gripping drama zooms in on those who live on the fringes of an constantly evolving metropolis. Fresh out of juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) faces a critical turning point; abandoned by his parents, the innocent young man finds solace in the arms of others.

On an night on the town with his boisterous group of gay and non-binary friends, Wellington meets Ronaldo (Ricardo Teodoro), a hunky, charismatic hustler over double his age. Illuminated by the pulsating light of a neon-lit porn cinema, their introductory rendezvous is physical and passionate, with an hint of risk. Ronaldo swiftly initiates Wellington to the clandestine realm of sex work and selling drugs.

A Study of Understanding Instead of Sensationalism

The director portrays Wellington’s new life of crime with compassionate understanding as opposed to as a sensationalist cautionary tale. Now adopting the moniker Baby, he approaches his transactional encounters with brash fearlessness and touching naivety. To his clients, Wellington offers more than his youth and his body, but also fleeting acts of kindness.

In the feverish excitement of São Paulo, overflowing with busy lanes and colourful shopfronts, there’s a deep-seated solitude, as unmoored souls hold fast to one another for temporary happiness.

"The urban landscape can be fraught with peril, yet they are where they can forge familial bonds, too."

A Complex Dynamic of Love and Control

Ronaldo is at once a romantic interest and a protective father figure to Wellington, but their bond is sabotaged by jealousy and economic precarity. Intimidation from shady figures in the underworld are overshadowed by the fear of institutional observation and jail time, epitomized by the hovering figures of police officers making their rounds.

Baby is especially potent as a perceptive study of the disenfranchised individuals who have been failed by the social system. The film stands as a moving look into resilience, non-biological kinship, and the search for identity within a unforgiving urban landscape.

Jamie Austin
Jamie Austin

A ceramic artist specializing in sustainable pottery, blending traditional techniques with contemporary aesthetics to create functional art.